Karakorum Rescue Project 
Pakistan 2021

Heritage Documentation & Education
Community Outreach


Led by project coordinator Abdul Ghani Khan, our team in Gilgit-Baltistan is currently conducting their Karakorum Heritage research, supported by the Prince Claus Heritage Emergency Grant and the Aliph Alliance, for the documentation of ancient rock art in the Karakorum mountain range of the Pakistani Himalayas. 
This fieldwork is entirely non-evasive and conducted in collaboration with and as educational initiative for the
region's local communities. On this site, we regularly share updates, with photos, videos and reports. 


Report 3: From Alam Bridge to Chilas

 

Our team has with great success completed their survey and documentation of the Alam Bridge site throughout the month of March.  During their fieldwork, the team also reached out to the communities of the region. To mark the successful end of the month's work, together with local authorities and the Archaeology department of the Pakistani government, they unveiled an official sign post to mark the historical heritage of the Alam Bridge site.
For the month of April, the now expanded team has moved to Chilas, where they will continue to documented threatened rock art and engage directly with local population during the work an education outreach. More updates will follow soon.

In order to put our talented and hard-working team in the spotlight, we have created an introduction page with more details and professional biographies for each team member. Visit this team page via the link button below. 
We also uploaded a brief informative booklet about our Karakorum Project (in the Urdu language), which is free to read on our site and also available for download in PDF format. You will find the document and the download link via the booklet link button below.

Unveiling of the official sign post at the Alam Bridge rock art site, end of March 2021.


Report 2: documenting & connecting


After the initial survey of the Alam Bridge site in Gilgi-Baltistan, our team has made very good progress this second week documenting wide-ranging clusters of ancient rock art, including Buddhist stupas, wild animals, and inscriptions.  

Apart from describing and photographing individual carvings, we also document the boulders, their locations and coordinates. We will use these data to map out the routes along which these images were carved by travelers, thousands of years ago. 

Abdul Ghani Khan and Zafar Iqbal documenting rock art  at Alam Bridge (March 2021)

Alongside these archaeological documentations, one of the most important parts of this project is connecting with the local communities. This week, a group of residents from the region came to visit, and our team invited them for a tour of the site. They explained about our project and shared information about the chronology and historical importance of the numerous rock art of Gilgit-Baltistan. The people were very interested to learn more about the project and have been very encouraging to our team.

We hope that these connections will offer the local communities more knowledge about the rock art and the rich history of their home region, so that they will be guardians of this important Pakistani heritage. Here you can see some images of the meeting. All photos were taken by our team's professional photographer Amjad Ali Mughal.   

Our team of archaeologists meets with local residents of the region, and shares information about the project and the ancient rock art ( Alam Bridge, March 2021).


Report 1: The first survey 


During this first phase of the survey, our team is at work at the remote location of Alam Bridge in the mountains of Gilgit-Baltistan to document a wide range of ancient rock art and inscriptions. Digital photography and site mapping are important means to ensure that our knowledge of this important archaeological site will be preserved for future generations and made widely available. Despite several cases of vandalism and destruction of carvings at parts of the Alam Bridge site, many petroglyphs here are still accessible and in good condition. Our team is working hard to record them. Below they share some first photos of the site and terrain from this week.   

Photography by Abdul Ghani Khan and Zafar Iqbal (01-05 March 2021)


Project Summary


Abdul Ghani Khan (MPhil) will oversee the project in Pakistan, through the coordination of the fieldwork. Importantly, he will also 
lead the outreach and education program developed with the local communities, including workshops and collaborative initiatives to ensure a sustained heritage protection for the threatened rock art for and by the local population of the region. 

Destruction and vandalism of ancient Buddhist rock art (2019-2020).

As the project’s academic advisor, Dr. Marike van Aerde will coordinate the data study and (Open Access) publications of the project’s rock art documentations and subsequent interpretations. In due course, students and/or PhDs may also be able to get involved with analyses, as part of our ongoing research team Routes of Exchange, Roots of Connectivity

The main current threat to the Karakorum petroglyphs is the building of the Diamer-Basha dam in the near future, which will flood several valleys that contain large numbers of as yet unrecorded/unstudied ancient rock art, and that will likewise force the relocation of many local villagers. In addition, vandalism and destruction of especially ancient Buddhist rock art continue to occur frequently due to lack of available education, prevailing superstitions, and/or looting and the illegal market for ancient materials.

Damaged/looted rock art in situ.

Large-scale vandalism of rock art in the Karakorum.

Our Karakorum heritage project will therefore focus not only on the emergency documentation of the threatened rock art, but will set up a local collaborative educational program that will directly involve the local communities in the role of guardians of the region’s heritage. This program is already in development in collaboration with local governments in the Gilgit-Baltistan region.